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Plaid Pavot Jacket Part Two

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The plaid jacket is finished! And you cannot convince me that it is not the most beautiful jacket in existence. I am feeling ridiculously smug about this project, fair warning. It’s red! and plaid! and my obsessive compulsive heart is so happy that the plaid matches all over the place.

Plaid Pavot Lamp post

The pattern is the delightful Pavot Jacket from Deer and Doe, a small French pattern company. I was excited for a practical application for my French reading skills, but it turns out that sewing related terminology forms a tragic gap  in my French vocabulary. Fortunately, the instructions also come in English, though  I found them largely unnecessary. The construction is very straightforward, especially when compared to the concentration required to cut out the pattern so the plaids all match up.

Plaid Pavot Bridge

As for the design and fit of the pattern itself, the Pavot Jacket is practically perfect in every way (yes, even Mary Poppins endorses it). The jacket fit me well straight from the pattern, no adjustments. The jacket design is fitted without being binding; there is plenty of shoulder room; the pieces all ease together with no difficulty, and the design is flattering and feminine. My head is already mulling over all sorts of variations (collarless? winter weight? shorter? A DRESS?).

Plaid Pavot Shoulder

Do you see that sleeve cap? I usually hate any visible gathering at the shoulder, but it is subtle enough here that I don’t mind it. There were no real problems setting the sleeves in, but I am in no rush to ease sleeve caps made of canvas again anytime soon. I used three lines of basting when making the gathers, which gives you more control and I think makes all the difference.

Plaid Pavot Pocket

And there are well-placed, usefully spacious pockets! And did I mention the plaids matching? The plaids match on the side, and I didn’t even mean to do that. While I can abstractly recognize that I might be unreasonably excited about this development, sewing a side seam in which the bands of color suddenly all align is rather startling.

Plaid Pavot Back

This project is the first time I have used seam binding to finish the edges of my fabric, and I love it. Seam binding is a very lightweight ribbon material, about half an inch wide, which is folded over the raw edge of your fabric and stitched in place. Because it is so thin and flexible, it doesn’t add any bulk to the seam, and any edges that might fray are encased in the seam binding. The finish is so much cleaner and professional-looking than any finishing method I have used before, except for maybe french seams. There is a bit of a learning curve. I found the application tiresome and fussy at first, but once you get a feel for it, the seam binding goes on quickly.

Plaid Pavot Front

Still, this jacket was not without its challenges. Covered buttons were new to me, but they were really the only option here. How on earth would I find buttons that don’t clash with this fabric? The little button-covering kits are simple to use, but I had to resort to a hammer to get the back of the buttons to snap into place. Any sewing project that requires a hammer gets bonus points, right?

The greatest source of frustration here was the buttonholes, not the buttons themselves. The Babylock buttonhole function and I still aren’t seeing eye to eye (One-Step Buttonholes! cue the manic laughter). I dutifully pulled out the handbook, followed the directions precisely, and ended up with a massive, frightening knot of thread. Reread directions, repeat attempt, repeat results, etc. Through stubbornness and much trial and lots of error, I managed to turn out buttonholes by completely ignoring the directions. I’m not thrilled with the results, but they are serviceable. If you look closely at the picture below, you can see where I managed to rip the top of a buttonhole, which I then hand-stitched so it looks like an extra-large buttonhole. The fact that this mending made me start thinking I should just hand sew all my buttonholes suggests the full scope of my buttonhole frustrations.

Plaid Pavot Collar

I refuse to hand-sew all of my buttonholes from here on out. Back away from the crazy.

Many thanks to my parents for our picture-taking break during the visit to Frederick, MD. Have you ever been? It is definitely worth a visit. The morning was really much too cold and windy to be wearing a jacket this lightweight, but some excellent tea and my new jacket giddiness kept me warm. Don’t even talk to me about the six inches of snow that fell last night. Spring, where are you?

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Plaid Pavot Jacket

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I don’t typically post about projects that are currently in-progress, but I am positively giddy about this one.

You might say that this particular sewing project began years ago when my mother started making these excellent bags out of IKEA fabric. I must confess that I do not own a store-bought bag/purse, unless you count my Trader Joe’s freezer bags. My mother spoils me terribly. You can see the bag she made me for Christmas below. It is adorable and practical and sturdy. Understandably, I fell in love with the orange and cream polka dots print, so I decided  this was it: this was the IKEA fabric for my coat.

IKEA fabric bag of wonder and glory

Of course, because the course of true love never did run smooth, when I got to IKEA in January, the store was entirely out of the orange and cream polka dot fabric except for the display sample hanging over the fabric area. After talking myself down from climbing on precarious shelving units to abscond with the sample (there wasn’t even a yard of fabric there, so reason prevailed), I looked around at the other options. The red, blue and green plaid that IKEA brought out at Christmas ultimately won out. Frankly, now that I have started piecing the coat together, I think it will see far more wear than an orange and cream coat ever would. I really do love red. The fabric is upholstery weight but still flexible and easy to sew.

Plaid Pavot in progress (back)

I have not really worked with a plaid before, and there is certainly a learning curve involved. Wisdom would have led me to read up on how to match plaids when cutting out patterns before beginning, so of course I didn’t. I did not realize until late in the process that because the plaid pattern is woven in the fabric instead of printed, the fabric is reversible. This is particularly important as this plaid is NOT symmetrical. I initially believed that I wouldn’t be able to get the two fronts, etc to mirror each other, but because the fabric is reversible, I could get a true match. I did end up cutting out some of the pattern pieces twice once I realized that the fabric was reversible. Now that I can see how nicely things align, I can’t believe I debated over it! I have been pleasantly surprised by some of the points where the plaids match without any additional effort or intent on my part.

Another post with the finished project will be soon to follow! And just in time, too, as the weather is warming up enough for a cheery Spring jacket.

Hypoallergenic Ginger Skirt

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Last summer I acquired three yards of 60 inch wide red imitation linen fabric from a fabric store in PA. I’m reasonably certain it is entirely polyester. While this means the garments I’ve made out of it aren’t magically cool in the DC heat and humidity, it also means that they are not maniacally wrinkled every time I move. I am alright with the trade off and will save the challenges of sewing with real linen for another day.

Just how many garment can you make out of 3 yards of 60″ wide fake linen? Well, I managed three. Working very, very carefully I just managed to cut out a Ginger Skirt  from Colette Patterns in addition to the dress and the blouse I already posted. Ginger skirts have been blogged to death, so I suppose this is my rite-of-passage skirt post.  As I was trying to conserve fabric, this skirt is cut on the grain with the narrow waistband. I’ve made a Ginger skirt cut on the bias before, which is equally versatile and wearable.

Fun fact: I’m a bit allergic to ginger, especially if it’s uncooked, but the last thing this skirt does is give me the hives (or, you know,  anaphylaxis).

I will certainly be making more of these skirts in the future, especially now that I’ve worked out how long a zipper is necessary. In my first Ginger skirt, I used a standard 7″ zipper. Because the waist is so high on the skirt, a 7″ zipper doesn’t leave enough room to pull the skirt over the hips. I’ve since resorted to pulling that first skirt on over my head, but this pretty red one has a longer zipper and doesn’t share that problem.

Overall, the red fake-linen was terrific to work with because it takes a press easily but doesn’t spontaneously wrinkle if you breathe on it wrong. I have a whole new appreciation of just how many pattern pieces you can squeeze onto 60″ wide fabric as opposed to 45″ fabric. Of course, not needing to contend with a directional print that required matching helped to conserve fabric too.

New Goal: Sewing something that is not red.

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