Here we find a second Mimi Blouse from Tilly and the Buttons’ Love at First Stitch. I am still in love with the Chelsea collar and the neat fit at the shoulders! This blouse was made with a cotton voile which is a much more summer-friendly fabric than flannel.
I love wearing and working with voile, but finding budget-friendly voile can be a trick. This pretentiously named fabric is “Bromley Voile Arbor Citron,” and it comprised my inaugural order from Fabric.com. Yes, I have surrendered to the siren call that is online fabric shopping. I love the range of fabrics available (especially apparel fabrics), and if you are careful, you can find quality fabrics in a price range that won’t break the bank. Yet at the same time, I find nothing can substitute for actually handling a fabric before purchasing it. Also, digging through actual piles of fabric is undeniably more fun than scrolling. My best advice is to get your hands on sample swatches whenever possible – it helps to know what you are getting into!
Still, I am gleefully happy with this voile – it was very reasonably priced, the pattern and colors are interesting, and the quality of the fabric is good. The buttons were originally intended for a different project, but they work nicely here with their simple shape. There were two extra buttons on hand, so I added them on to embellish the sleeves. Both the sleeves and the hem have two rows of top-stitching.
Speaking of those troublesome sleeves…. With the other version of the Mimi blouse, the only fit issue was some tightness at the sleeve hem. For this version, I added two inches of width at the underarm seam and thus revealed that I still think more like a knitter than a seamstress at times. You see, modifying fullness at the seams is standard practice in knitting. Sometimes patterns use “full-fashion shaping” in which increases and decreases in the number of stitches are made deliberately visible, and I would say there has been more of this sort of design in the past decade or two. BUT for the most part, in knitting, shaping is concealed at seams whenever possible, simply because it is easier to add there and more discrete. Now when you are knitting, the fabric you are creating has built-in stretch. This means you do not need to be much concerned about additional fullness ending up in the right place – the garment adjusts to fit the body.
In sewing, you adjust fullness at the seams too, but as I have learned, you need to be much more careful about how that fullness is distributed because even fabric with good drape does not behave the same way a stretch fabric will. All of which is to say, I added two inches of fullness to the sleeve hem at the underarm seam as drawn in this picture, and it was not a very good idea. The resulting sleeve tends to bunch up, and when I move my arms, the sleeves still feel a bit constricting despite the added fullness. It is not bad, but I over-analyze everything – why would I stop here?
Now as I was adding width to the sleeve hem willy-nilly, I had a vague awareness that this was not the proper way to go about things. I read enough sewing blogs and old sewing books for fun that I really do know better. But on some level, I have never been entirely convinced that I needed to make adjustments for fit the way all those fussy diagrams suggested. I mean, all you need is the correct circumference on a garment at any given point on the body, right? Wrong. You can cheat some, but I am learning that woven fabric is not a particularly forgiving Overlady.
So instead I have altered the sleeve pattern piece using the “slash and spread” method. Typically, you would just slice the sleeve pattern vertically at the middle, but there is some complicated folding going on there that I do not want to mess with. Instead, I split the sleeve on either side of the folds and separated the bottom edges to add in the desired width. As you can see from the phantom sketching and the first pattern picture, you end up with a rather differently shaped pattern piece. You can see the final version below.
So now we all know what I should have done! The blouse fits well enough as it is that it’s not worth ripping out the sleeves to fix. The altered sleeve pattern will just have to wait with its brethren until the next time I make a Mimi blouse with short sleeves. I am toying with the idea of making a long-sleeved version first, possibly stealing the sleeve pattern from the Bruyère pattern? We shall see. In any case, I have plenty of projects lined up first, a dissertation to write, and a rather cheerful blouse to wear.